The Row Knitwear Edit Structured Leather Bag

The Row Bags Decoded: A Full Guide to the Line

In the case of most designer bags, the label is announced before the eye has finished its work. The Row declines to do that, and that single choice explains practically everything that follows in how the handbags are conceived, priced and resold. The house was founded in 2006 by Mary-Kate and Ashley Olsen and named after Savile Row in London, the street where tailoring learned to prize restraint. The head office sits in New York City, with a design studio in Tribeca since 2012, a Paris office opened in 2011 and a London office added in 2019. The brand’s own stores are found in Los Angeles, New York, London, Paris and Amagansett, while the rest travels through the brand’s own webstore and a short list of stockists. What follows is a row bags overview: the families that actually matter, the specifications that distinguish them and what each costs. Read each number that follows as a market price observed in 2026 rather than an official price list, because the brand publishes no such list.

Reading a The Row Bag With No Branding to Go On

Identification runs on silhouette, proportion and construction, because there is no exterior logo plaque and no monogram on anything in the range. A small, discreet exterior stamp sits low on the side of the bag and is intended to sink into the leather rather than interrupt it, with a second stamp placed inside. Hardware is palladium-plated and finished matte or brushed, so it absorbs https://rowsale.org/ light rather than bouncing it across a room. Linings are specified as materials in their own right, so nappa, lambskin, calfskin and cotton herringbone line the interiors that a logo jacquard would do elsewhere. Tailoring at the label is judged by line rather than label, and that instinct carries straight across to the bags. Across the brand’s own product pages, Made in Italy appears for the Half Moon, Soft Margaux 10 and 12, Margaux Shoulder 12, Bourse Clutch and Terrasse To-Go.

• No exterior plaque, monogram or branded hardware of any kind
• Palladium-plated fittings in matte or brushed finish rather than high-polish gold tone
• Nappa, lambskin, calfskin or cotton herringbone linings
• A single small stamp low on the outer side, with a crisp stamp inside

The Margaux Family, and Why It Is Awkward to Buy

The Margaux is the bag most people picture first, and it is currently the most confusing corner of the collection to shop. At an observed $3,650, the Soft Margaux 10 combines 100 percent calfskin in a matte grained finish with a cotton herringbone lining, at 10 x 7 x 7.5 inches and a 5-inch handle drop. Specification runs to an interior toggle closure, belted side gussets, protective metal feet and a removable shoulder strap. The Soft Margaux 12 repeats that construction at $4,350, measures 12 x 9 x 7.5 inches, and adds a zip pocket. The Margaux Shoulder 12 is a different proposition at $4,900, with a lambskin lining, elongated tubular handles, the signature adjustable buckles and narrowed gusseted side panels across 14.75 x 9 x 5 inches. There is also a Margaux 17 in leather and canvas at Selfridges, plus a Soft Margaux 15 doing the rounds, but no reliable retail price is documented for either. The original was pulled from third-party retailers during 2025 and the brand’s own site now shows the Soft and Shoulder versions instead; its discontinuation has been widely reported but never officially confirmed by the brand.

Totes, Top Handles and Shoulder Bags

More than anything else, the Park family drives volume and is most often the first purchase. Pricing on the N/S Park Tote sits at Small $1,550 to $1,620, Medium $1,650 to $1,950 and Large $1,990 to $3,250, and the variation within each size driven by material and finish rather than capacity. Small and Medium Park Tote sit at $1,450 to $1,620, the Park Tote Three occupies $1,750 to $2,400, and $2,490 gets you the XL Park Tote. Higher up, a The Row tote bag climbs steeply, with Marlo 14 at $5,300, the Alger Tote at $4,900 and the Marco Bag at $6,900. Among the top handles, suede bites hardest: India 10.00 is $3,850 in leather against $5,370 in suede, and Agnes 15 runs $5,000, $5,800 and $4,300 in leather, suede and a canvas blend. Ida is $3,990, Elise and Agnes 12 both $4,400 and the Iowa Duffle $5,180, while Idaho holds the value end at $1,420. Shoulder styles cover just as much ground, going from Lori at $1,350 and the 90’s Shoulder at $1,450 up through Alix at $1,900, Parker at $2,900 and Jean Shoulder at $3,900.

Small Bags, Clutches and the Entry Tier

Cheaper row handbags are not stripped-down versions of the expensive ones; rather, they are smaller problems solved with the same care. The collection’s quiet cult object is the 90’s Bag at $1,090, and alongside it the Half Moon is observed at $1,390, with a leather variant seen at $1,690 at one stockist. Half Moon dimensions differ between sources, so treat the official 8 x 13.5 x 2.5 inches as the reference figure and expect other listings to disagree slightly. The Bourse Clutch at $1,590 shows how much construction goes into the cheaper end, with a calfskin exterior, nappa lining, hinged frame closure, hidden adjustable shoulder strap, 10.2 x 6.5 x 2.3 inches and Made in Italy on the label. Lower down are the Double Travel Wallet at $590, the Cecily Mini Tote and Ray Pouch at $950 and the Squared Compact Clutch at $1,390. Going the other way, the Terrasse To-Go is $1,950, the Dalia Baguette $2,700 and the Peggy Clutch $2,900.

Price Bands Made Simple

Three bands describe the collection well enough to shop by, and they hold across every category. Roughly $590 to $1,500 is the entry band, the place where most buyers meet the brand. The middle band, roughly $1,550 to $3,500, absorbs the Park totes, most shoulder bags and the better clutches. The top band, roughly $3,600 to $6,900, is where the Margaux family, the India and Agnes top handles and the Marlo totes live. One rule runs through all three, since suede consistently carries a premium over calfskin on the same silhouette. The other rule is simpler still: the number in a bag’s name is its width in inches.

Archive Models You Will Only See on Resale

You understand the secondary market differently once you can identify the bags no longer sold new, and much of the label’s reputation belongs to them. The Bindle is the one people name first: a suede shape with raw-cut trims, a knotted detail and an open top, reported to have retailed around $1,190, and after it the Bindle Three with its padded handle and removable inner pouch, observed near $1,700. The Sofia is a structured calfskin flap bag with a metal lock closure and a two-compartment interior, observed on resale between roughly $2,200 and $5,668. The Devon is a compact structured top handle in polished saddle leather with a top zip, a hidden shoulder strap and decorative stitching. At approximately 9 x 12.5 x 5.25 inches, the Camden brings together grained or saddle leather, twin handles, a detachable strap, a magnetic closure and both patch and zip pockets. The Ascot hobo, the Wander knot crossbody and the nylon Sling 15 are also around, though none carries a reliably documented retail figure.

Holding Value, Authentication and Care

The resale picture is unusually strong and should be read as observed market behaviour rather than investment advice. According to the Rebag CLAIR 2025 report, The Row registered 97 percent brand-level value retention, breaking into the report’s unicorn tier of 85 percent and above for the first time and sitting behind only Telfar, Hermes and Goyard. At model level the figures go further, with the N/S Park Tote strongest at 146 percent, the Margaux Tote at 107 percent and the Half Moon shoulder at 106 percent. Not everything appreciates, though, and canvas, nylon, sisal and seasonal-colour pieces routinely discount, with the strength concentrated in black and neutral calfskin in the signature shapes. Because the brand operates no public authenticity coding, anyone searching for The Row for sale second hand judges by stitching density, hand-painted edges, matte hardware and whether the bag holds its shape empty. No protocol comes from the label, so care follows the material: a soft dry cloth on calfskin, dry cloth only on nappa and lambskin, a brush and nothing wet on suede, spot-cleaning alone for raffia and canvas.